The Use of Language in A Streetcar Named Desire Essay

The Use of Language in A Streetcar Named Desire Analyse how Tennessee Williams uses language and dramatic techniques to explore attitudes to identity in ‘A Streetcar Named Desire’. Make close reference Analyse how Tennessee Williams uses language and dramatic techniques to explore attitudes to identity in ‘A Streetcar Named Desire’. Make close reference to an extract in the play. Go on to show your understanding of the significance of attitudes to identity in the play as a whole. Williams’ play ‘A Streetcar Named Desire’ has a full variety of attitudes to identity which are demonstrated through the various characters. Attitudes to identity are important in the play as it gives us a background to the character’s lives†¦show more content†¦Ideas around the identity of Stanley’s character are explored in scene eight. The lexis used in this scene explores how he sees himself and how he is seen by the other characters. The vocative used by Blanche and Stella to address Stanley conveys their, especially Blanche’s feelings towards him, ‘Mr. Kowalski’ they say. This vocative seems quite formal spoken in such an informal setting as their house, and quite out of place, this could show that the women maybe see Stanley as superior, in the way that he is a man and they feel that they should look up to him. As well as presenting attitudes to identity, this could also show attitudes to gender and the differences between the roles of males and females. In this scene, some of Stanley’s utterances contain many exclamatories and interrogatives which seem to make firm statements of what he is saying. For example he says ‘that’s how I’ll clear the table! Don’t ever talk that way to me!’, it seems as though he is shouting these words and this could show his dominating and intimidating character perhaps. Phonology used in Stanley’s utterances could also show his dominating male authority that he feels he has over others, he seems to shout at Blanche; ‘QUIET IN THERE!’, this is intonation of his voice is shown by the use of capital letters. Stella uses a metaphor to describe Stanley’s undesirable behaviour and says that he is ‘too busy making a pig of himself’; this could show that he is not aShow MoreRelatedComparison Between Oedipus Rex and Street Car Named Desire1268 Words   |  6 Pages‘Oedipus Rex’ and ‘Streetcar’       | Similarities | Contrasts | Clever Points | Actions / Events | ï‚ ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Both ‘Oedipus Rex’ and ‘A Streetcar Named Desire’ have scenes where a character’s past is revealed, whether it is to other characters or to the audience (e.g. Oedipus’ parentage or Blanche’s past). This shows an underlying tone that they cannot fully escape their past, whether it is an eventual surfacing (in A Streetcar Named Desire) or an abrupt revelation (in Oedipus Rex). This is linkedRead MoreTo What Extent Does Williams Present Desire as a Tragic Flaw in Scene Six of ‘a Streetcar Named Desire’1632 Words   |  7 PagesTo what extent does Williams present desire as a tragic flaw in scene six of ‘A Streetcar Named Desire’ In A Streetcar Named Desire Blanche’s flaws that lead to her downfall are abundant. If we are to view Blanche Dubois as a tragic heroine, then it is in scene six that her tragic flaws are especially evident, and in particular desire. They are so prevalent here as it is arguably the beginning of Blanche’s demise and as in Shakespearean tragedy; it is in the centre of the play that we seeRead MoreEclectic Theatre1449 Words   |  6 PagesBeckett, Camus and Pinter were pioneers of Theatre of the absurd, who to some extent redefined modern theatre, yet Pinter describes his works as merely â€Å"symbolic realism† as opposed to absurd. The plays â€Å"The Caretaker† by Harold Pinter and â€Å"A Streetcar Named Desire† by Tennessee Williams are both classic plays of their genre, truly exploiting the absurd and realistic styles of drama through their similarities and differences to evoke an interesting yet markedly different approach to theatre. Ma ny facetsRead MoreDiscuss how class conflict is represented in A Streetcar Named Desire. (A Streetcar Named Desire by Tennessee Williams)1212 Words   |  5 Pagesrepresented throughout the play, A Streetcar Named Desire in various ways through characters, symbols, ideas and language. Characters such as Blanche, Stella, Mitch and Stanley are used throughout the text to represent the upper and lower classes, as well as the conflict between the two classes. Symbols, ideas and language help to define the different classes as well as helping to represent the conflict between classes. The language (dialogue) of the characters, symbolic use of names, animal imagery andRead MoreWilliams Use of Imagery and Symbolism in A Streetcar Named Desire1350 Words   |  6 PagesWilliams Use of Imagery and Symbolism in A Streetcar Named Desire Williams uses figurative language in his lengthy stage directions to convey to the reader a deeper, more intense picture than a description alone could express. In the opening stage direction Williams illustrates the area around Elysian Fields. He uses personification to describe the warm breath of the brown river (P1). I think this creates an atmosphere that is decaying yet at the same time welcoming Read MoreExplorations of Gender Roles in A Streetcar Named Desire, by Tennessee Williams863 Words   |  3 PagesIn the 1947 play, A Streetcar Named Desire, Tennessee Williams explores the aspects of traditional gender roles in society; raising many questions about gender, power, and dominance. Ultimately, though, A Streetcar Named Desire observes the conflict between alpha male Stanley Kowalski and the delicately feminine Blanche DuBois, with wife, sister, and mother-to-be, Stella Kowalski, caught in the middle. Williams investigates the continuing fight for authority, on the one hand, and equality on theRead MoreEssay about Symbolism in A Streetcar Named Desire by Tennessee Williams1270 Words   |  6 Pages Symbolism in A Streetcar Named Desire by Tennessee Williams â€Å"Symbols are nothing but the natural speech of drama†¦the purest language of plays.† Once, quoted as having said this, Tennessee Williams has certainly used symbolism and colour extremely effectively in his play, ‘A Streetcar Named Desire’. A moving story about fading Southern belle Blanche DuBois and her lapse into insanity, ‘A Streetcar Named Desire’ contains much symbolism and clever use of colour. This helps the audience to link certainRead MoreA Streetcar Named Desire By Tennessee Williams928 Words   |  4 PagesAnalysis Paper: A Streetcar Named Desire For my analysis paper, I have chosen the full-length play by Tennessee Williams, A Streetcar Named Desire. The drama containing several forms of realism was released in December of 1947 and stayed open on Broadway for two years until December of 1949. The play in set in New Orleans, Louisiana in a simi-poor area, but has a certain amount of charm that goes along with it. Williams creates a vast web of emotional conflicts thought all the characters, whichRead MoreA Streetcar Named Desire By Tennessee Williams1422 Words   |  6 Pagesmasculine while the men were at war. However, after the war was over and then men returned home, many of these women fell pregnant and resumed the life of the subservient housewife, whilst the men once again dominated. Tennessee William’s A Streetcar Named Desire is a dramatic play written during this time that follows the journey of a distressed young woman- Blanche visiting her sister Stella in New Orleans, who is subsequently tormented by her brutish new brother-in-law Stanley. The play presentsRead MoreSymbolism Of A Street Car Named Desire And The Yellow Wallpaper1487 Words   |  6 PagesSymbolism of One’s True Nature in A Street Car Named Desire and â€Å"The Yellow Wallpaper† What is humanity s true nature? Are people basically good, or basically evil? Over the centuries, many people have tried to find the answers to these questions, to no avail. Author Charlotte Perkins Gilman and Tennessee Williams take a definite stance on the issues throughout their work, arguing that people are basically evil hiding their truths. Many times, this theme is obviously stated in the stories, but sometimes

Red Bull Strategic Plan free essay sample

Market leader; brand ambassadors;synonymous with energy and getting a boost;events; Youth brand managers; extreme sports association and premium image Weaknesses: limited product range; expensive. Opportunities: new youth as a target market (16-24); adapt for older matured Y generation; events; viral marketing; youth have a disposable income and are easily influenced by peers and trends; smart energy drinks energy drinks mixed with a smart drink (made from a mix of fruit juices, vitamins, herbal and amino acid supplements. Threats: ver-growing energy drink market, loss of original customer base as they mature, negative publicity rumours red bull contains bull sperm, health concerns ingredient taurine, will the youth adopt the brand? , youth have a lack of purchasing power and ready-made smart drinks. Energy drinks: †¢Are stimulants †¢Prevent sleep †¢Promote mental alertness †¢Improve physical performance †¢Increase endurance Brand Architecture: Red Bull is a Branded House. A Branded House is, â€Å"A centrally focused group of brands that are clearly connected and coherent. A very large Family of Brands† as defined by http://stealingshare. om/brand_resources/glossary. htm. Red Bull isn’t a large family of brands; it consists of the original drink, a diet version and a cola drink (not yet available in South Africa) but they are clearly connected and coherent and obviously not a house of brands, which is â€Å"a business that has multiple brands that are not necessarily part of the same family or are independent from each other and the Parent Brand† (http://stealingshare. com/brand_resources/glossary. htm). Visual identity system: †¢The logo and the bulls from the logo. †¢Red, blue, silver and a little yellow. †¢The cartoon-style used in their advertising. Tagline: Red Bull gives you wiiings! What does the brand stand for? Brand values: †¢Youthfulness †¢Passion †¢Energy †¢Activeness †¢Adventure seeking †¢Spontaneity Brand Essence: Energy. Brand Personality: †¢Youthful †¢Energetic †¢Adventure seeking †¢Innovative †¢Nonconformist †¢Party loving †¢Witty †¢Charming †¢Unpredictable †¢Intelligent Differentiating factor: Things Red Bull has to offer that other energy drinks don’t: †¢The brand personality. †¢Their involvement in extreme sports, events, music and youth culture. †¢Youth brand managers: Students who drive Red Bull branded cars and give out free cans of Red Bull to people who are in need of energy. They promote Red Bull on university campuses and are encouraged o throw parties at which cases of Red Bull are distributed. These Youth Brand Managers report back to Red Bull providing them with a low cost form of market research data and an insight into today’s youth. †¢Their approach to marketing: oNo print, only TV/radio adverts because this creates interest and momentum and has greater impact oBuzz-marketing/ word of mouth, generated by controversial adverts, youth brand managers and guerrilla marketing. oInvolvement in events, not only sponsoring but also hosting and creating events that appeal to their target market. What is the brand positioning? Market Position: Market leader: Red Bull is the most popular energy drink on the market. Red Bull was the first energy drink, providing a solution to a gap in the market for a drink that supplies the consumer with energy. Competitors: Direct competitors: †¢Energy drinks from the ever-growing energy drink market. South African examples are Play and V. International examples are Coca-Cola’s Mother and Pepsi’s Amp. Indirect competitors: †¢Other functional drinks, such as: oSports drinks oVitamin and mineral enriched drinks oACE drinks (fortified with A,C, or E antioxidant vitamins) oWellness drinks Nutraceutical drinks oHerbal drinks †¢Premixed alcoholic drinks, for example Smirnoff Storm, because vodka and Red Bull is a big selling point for Red Bull. Image and identity: Red Bull’s brand image and brand identity are well aligned, as the way they identify themselves and the way they are seen by the public are one and the same. This is as: †¢Youthful. †¢Involved in youth culture, such as extreme and adventure-related sports, and music. †¢A symbol of glamorous lifestyle. †¢Energy-giving. Positioning statement: Red Bull revitalises the body and mind. What is my single-minded promise and how did I arrive at this promise? What is Red Bull selling? They are selling the Red Bull lifestyle: youthful, energetic, adventure seeking and nonconformity. As Mateschitz, the creator of Red Bull says, â€Å"Red Bull isnt a drink, its a way of life (Red Bull-Promotional Mix). To whom is Red Bull selling? They are selling to people who share a state of mind: Consumers who have drive, are active and full of life, who want to be physically and mentally healthy and be alert. There are two target markets within this: 1. Their current consumers, the â€Å"Y generation† who have matured since the inception of Red Bull, aged mid-20’s to 30’s. 2. The current youth market, aged 16 to 24. Both of these have a majority of male consumers. With what aim is Red Bull selling? For brand awareness: to keep Top-of-Mind awareness and maintain the position of market leader. To promote brand values of youthfulness, energy, adventurousness and spontaneity. What is their basic message or benefit? My single-minded brand promise: Red bull revitalizes the body and mind so you can do anything. How and why have I selected the specific target audience(s)? As Red Bull is an already established energy drink, they have a target market already, which is the â€Å"Y generation†, aged mid-20’s to 30’s. This market has matured since the start of Red Bull and now Red Bull must consider marketing differently to them so they don’t lose this market, as they grow older. I think it is important for Red Bull to stay fresh and young to target the current youth who are aged 16 to 24. It is a fact that 65% of energy drink drinkers are males between the ages of 13 and 35, so I have kept this in mind when defining the target market.